印昌的剧本总是有草根的朴素、清新,令人读了温暖、感动。他写的都是乡村的生活,古代或现代的,写的都是人与人之间的互相关心、体贴或重归于好。作品内在地渗透着一种对生活、对民间生活方式、对传统的人与人之间关系的信心、信念。对传统的民间生活的熟悉、理解和认同、热爱,使他总是在情感上卷入作品的生活并表达了对这种生活的欢喜和感激之情。他笔下的生活也有种种现实的烦恼和缺陷,但都是能够化解、补救的。作品因此有一种乐观、理想的情调,有一种温暖的诗意和色彩,虽不凝重却也未必不深刻,熟悉亲切,能唤起人内心的感动,满 India Chang’s script is always simple, fresh, it is read warm, touched. He writes about rural life, ancient or modern, and writes about mutual concern, thoughtfulness, or reunification. The work intrinsically infuses a sense of confidence and faith in life, in the way of folk life, in the relations between the traditional people. Familiarity, understanding and recognition of traditional folk life, love, so that he always emotionally involved in the life of the work and expressed his joy and gratitude for this life. His life also has a variety of realistic troubles and flaws, but all are able to resolve and remedy. Therefore, there is a kind of optimism and idealistic mood in the works. There is a kind of warm poetic and hue, though not imprudent, it is not necessarily profound either.