我们身处一个多元化的时代,在以现代工业文明为主体的世界一体化潮流和西方中心主义的世界文化格局与进退维谷的文化情境中,艺术更多地以影视、现成材料、装置、行为等为媒介来表达对人类所面临的诸多难堪境遇的反省,成为人与社会、人与自然关系的一种新的象征性表达和对现实沉沦的挑战与抗争方式,似乎也只有在这种具有悲剧意味的挑战中才能真正体现当代艺术的精神。同时,工业化和后工业化又在不断击碎我们原来对世界的整体感受,使我们所感受到的世界成为一堆无法聚合的 We live in a diversified era. In the context of world integration, which is dominated by modern industrial civilization, and the cultural stereotyped by the Western-centric world and its cultural context, the art is based more on film, ready-made materials, installations and behaviors As a medium to express the many embarrassing situations facing human reflection, as a new symbolic expression of the relationship between man and society, between man and nature and the reality of the sinking challenges and protests, it seems only in this tragedy Meaning of the challenge can truly reflect the spirit of contemporary art. At the same time, industrialization and post-industrialization are constantly crushing our original feelings about the world so that the world we feel becomes a collection of unparalleled