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冯玉雷长篇小说《敦煌.六千大地或更远》以散点透视的叙述艺术创造了一种丰富的多元化的文本。作品通过叙述视点的不断转换,在叙述中营造出不同的叙述语境,在不同的语境中把自己的目光和笔触伸进现实、历史、人性、爱情、艺术、宗教等不同的生存层面,在叙述中实现精神和思想不断的超越与回越,使文本处于多样化的差别与对立中,从而形成该作品独特的难以把握的具有多义化结构的诗意文本。因而,这部作品在文本创造中形成一种卓越而独特的叙述艺术。
Feng Yu Lei’s novel “Dunhuang. Six Thousands of Earth or Farther” created a rich and diversified text with scattered perspective of narrative art. Through the continual conversion of narrative point of view, the works create different narrative contexts in narration, and extend their gaze and brushstrokes into different living levels of reality, history, human nature, love, art and religion in different contexts, In the narrative, the spirit and thought are continuously transcended and returned to the higher, making the text in a variety of differences and antagonisms, thus forming a unique and difficult to grasp poetic text with polysemy structure. Thus, this work creates a remarkable and unique narrative art in text creation.