每位成功的艺术家一定都有自己的艺术风格。从文化的角度看一定是有高度,有气度,有一种专属个人的精神在里头。风格不是追求的,不是故意而为的一种方法,风格是在不断追逐精神内涵与艺术境界的过程中逐渐形成的特点,是动态的,是艺术家在探索的道路上留下的痕迹,不是一成不变的样式。比如毕加索有蓝色时期、玫瑰色时期、立体主义时期等,即使像弗洛伊德那样相对风格稳定的画家,其早、中、晚期也有很大的变化。习气是一种无病呻吟的套路,在学艺的道路上自认为找到了一种出效果的方式,再受到一些“行家”的吹捧或夸奖,把它当成了救命稻草,以不变应万变,以此作为撒手锏,不再求索新的表现方法而停滞不前。 Every successful artist must have his own artistic style. From a cultural point of view there must be a high degree of tolerance, there is an exclusive personal spirit in it. Style is not a quest, not a deliberate but a method. Style is a feature that is gradually formed in the constant pursuit of spiritual connotation and artistic realm. It is dynamic and is a trace left by the artist on the path of exploration. It is not immutable Style. For example, Picasso had blue, rose and cubist periods, and even the relatively stable painters like Freud changed greatly in the early, middle and late stages. Habit is a routine for groaning, learning to find a way out of the art and then touted or praised by some “experts” as a life-saving straw, Change, as a savage, no longer seek new ways of expression and stagnation.