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在历史的易代之际,庾信因出使被留而屈仕于北朝。但庾信并没有随遇而安。反而深深地陷入了精神与物质、仕与隐的极大内心冲突中。“春秋迭代,必有去故之悲。”(《哀江南赋并序》)深沉的故囤之思不绝如缕地回荡在他的许多作品中。庾信诗作的羁旅心态的大量表露,为我们窥见他后期的内心世界提供了一个视角。因此,本文拟就“羁旅心态”对庾信后期创作所发生的影响作一探讨。
In the history of the generation on behalf of the occasion, the letter was left out because of the excuse to leave in the North Dynasty. However, the letter is not followed suit. Instead, it has plunged deeply into the great inner conflict between spirit and materiality, career and hiddenness. “Spring and Autumn Iteration, there must be so sad.” (“Sorrow Jiang Nan Fu and preface”) Deep historical memory of the ceaselessly echoed in many of his works. The plentiful disclosure of the mentality of bashing poetry provides a perspective for us to glimpse his later inner world. Therefore, this article intends to discuss the influence of “mentality of bailing out” on the post-creations of Baoyin.