从一定意义上说,教师讲课与演员演戏有许多相通之处。例如,在教师如何对待熟课与演员如何对待熟戏的问题上,二者就颇有一致的地方。著名京剧表演艺术家荀慧生从三十年代登台起到解放后共三十多年的时间内,曾多次演出荀派的代表剧目《红娘》,但他总说:“我每次演都要象第一次那样认真,要始终保持新鲜感,因为每一次演出都是一次再创作,如果越演越油,就不会向前发展了。”为此,他常常嘱咐自己的学生,要铭记“熟戏三分生”。由此我联 In a sense, there are many similarities between teacher lectures and performers. For example, there is a good deal of consistency between how teachers treat cooked subjects and how actors treat cooked subjects. Xun Peisheng, a well-known Beijing opera artist from the 1930s to the post-liberation period of more than 30 years, has repeatedly performed Xunpai’s representative drama “Matchmaker,” but he always said: “Every time I play As seriously as the first time, always fresh, because every performance is a re-creation, if the more oil, will not move forward. ”“ To this end, he often asked his students to Bearing in mind ”cooked drama thirds ". I hereby United