歌剧对于大多数的观众来说似乎并不陌生,但是这种只演唱歌剧选段以室内乐队作为协奏的表演方式对于观众来说却是非常新颖与陌生的。西尔维娅在舞台上娴熟的、没有任何拘谨的表演即细致深刻又丰满多彩。同时她运用对歌剧剧本以及歌剧表演的理解,力图完整的还原每一歌剧唱段所要表现的导演艺术构思,通过简单的道具以及其他艺术门类的结合来塑造歌曲中人物的形象与情感。 Opera seems familiar to most viewers, but the performance of a concert-only concert with a concert band as concerto is very new and strange to the audience. Sylvia’s skillful on the stage, without any cautious performance that is detailed and profound and full of colorful. At the same time, she uses the comprehension of opera scripts and opera performances in an attempt to completely restore the director’s artistic conception of each opera aria. Through the combination of simple props and other art categories, she shapes the images and emotions of the characters in the songs.