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观众可能至今没有淡忘:1993年春节后北京人艺隆重推出了一部名为《鸟人》的京味话剧,这台别开生面的戏剧一经亮相,便引动了广泛关注,继而被媒体炒作得沸沸扬扬,同时还创出了颇为可观的商业效益。《鸟人》呈现的盛景,一时令创作者们信心大增,似乎为蒙着惨淡容颜的衰微的话剧注入了一付强心剂。1996年春节后,由中央实验话剧院排演的《棋人》作为“闲人三部曲”系列之二演出于新落成的北京人艺小剧场。三年间,无论是思想文化,还是社会生活,都历经了一些可圈可点的事件与更叠,此时面对着舞台上眼花缭乱的《棋人》,观众愕然中倒也显出相当
The audience may not have forgotten so far: After the Spring Festival in 1993, Peking Man’s Grand Prize unveiled a Beijing opera called “The Bird Man”. This unique drama, once unveiled, has drawn wide attention and has been aroused by the media. Also created a considerable business benefits. The “Bird of Man” presents the spectacle of a sudden increase in confidence among creators and seems to have infused a tactility into the decadent play of disillusionment. After the Spring Festival in 1996, the “Chessman” rehearsed by the Central Experimental Theater performed as the second of the “Leisure Trilogy” series at the newly-completed Beijinrenrenyi Theater. In the past three years, both the ideological and cultural as well as the social life went through some remarkable events and even more layers. At this time, facing the dazzling “chessman”