论文部分内容阅读
以悲为美,是中国人审美心理中的一个重要特征,本文从这一特征的历史,审美表现等方面剖析其产生的根源,讨论这种审美心理的本质。
Taking sadness as beauty is an important feature of Chinese aesthetic psychology. This paper analyzes the origin of this feature from the aspects of its history and aesthetic performance, and discusses the essence of this aesthetic psychology.