论文部分内容阅读
一对摄影的批判研究,很大程度上沿着加速轨迹而来,把快门的加速作为一种有效工具,剪辑时间的精彩瞬间,将过去时刻从遗忘之力中拯救。传统主流观点认为,技术成熟后,摄影师们突然对时间线性发展感到震惊;镜头快门的速度被用来打断历史的连续性,为了永恒而记录单个时刻;通过捕捉关键时刻,抓住历史转瞬即逝中的痛苦暴力,卷入并战胜时间的现代压缩与加速。1936年,作为八种摄影理论之一,前包豪斯成员莫荷利·纳吉(Laszlo Moholy-Nagy)提出,“将一段时间的疾速运动固定
A critical study of photography came largely along the path of acceleration, using shutter-speed acceleration as an effective tool to clip moments of moments and to save past moments from forgetfulness. The traditional mainstream view that, after the technology is mature, photographers are suddenly shocked at the linear development of time; the speed of the lens shutter is used to interrupt the continuity of history, to record a single moment for timeless; capture the moment, to seize the historical moment The pain and violence of the passing, the current compression and acceleration involved and over time. In 1936 Laszlo Moholy-Nagy, a former Bauhaus member, as one of the eight photographic theories, proposed that ”a period of rapid movement should be fixed