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“文革”以后到现在,戏曲音乐在创新方面的成就不突出,新作品虽有一定数量,但给人留下深刻印象的佳作很少,总体看这三十多年的戏曲音乐创作未能打开新的局面,迈上新的高度。回顾历史,明清两代和20世纪前期,表演艺术各门类中分量最大、创作最繁盛的是戏曲,音乐园地里创作成就最高的也是戏曲音乐。昆曲的水磨调和梆子、皮黄的“板腔体”等,先后代表了明清和民国时期中国音乐创作的最高水准,到今天仍然是中国传统音乐的最宝贵的遗产。
“Cultural Revolution ” From now on, opera music achievements in innovation is not prominent, although a certain number of new works, but few impressive masterpieces, the overall look of these thirty years of opera music creation Can open a new situation, to a new height. Recalling the history, Ming and Qing dynasties and the early 20th century, performing arts in all categories of the largest component of the most prosperous is opera, the highest achievement in the music field is the opera music. Kunqu opera’s water mill reconciled with prickly heat, yellow skin, etc. represented the highest level of Chinese music creation in the Ming, Qing, and Republican periods, and today is still the most precious legacy of Chinese traditional music.