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“距离”与“交流”在斯坦尼斯拉夫斯基体系与布莱希特戏剧理论(由布莱希特还可进一步延伸到现代、后现代戏剧观念)中有着完全不同的剧场形态及意义内涵。本文通过理清两种类型的“距离”与“交流”，对20世纪80年代戏剧探索中存在的某些问题进行具体分析。
“Distance” and “Communication” have completely different forms and meanings of theater in the Stanislavsky system and Brechtian Theater Theory (which can be further extended to modern and postmodern theater concepts by Brecht). In this paper, by analyzing two types of “distance” and “communication”, this paper makes a concrete analysis of certain problems existing in drama exploration in the 1980s.