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笛福的《鲁滨逊漂流记》催生了一个启蒙的现代神话,而法国作家米歇尔·图尼埃在小说《星期五》中,通过重构鲁滨逊荒岛生活的情境,质疑启蒙理性主体。在图尼埃看来,没有他者的世界违背人类心理常规,必然导致主体的失常。图尼埃的这一认知是对笛福创造的所谓理性主体神话的颠覆。在颠覆原有神话的同时,图尼埃希望借助“太阳之城”这一概念,创作具有其个人风格的新的主体神话。不过,他的这一尝试给小说带来不少不和谐音。尽管如此,鉴于其哲学高度,《星期五》仍不失为针对鲁滨逊神话的重写范例之一。
Defoe’s “Robinson Crusoe” gave birth to a modern myth of enlightenment, and the French writer Michel Tunier in the novel “Friday”, by reconstructing Robinson’s desert island life situation, questioned Enlightenment reason main body. In the view of Tuniere, the world without the other, contrary to human psychological conventions, inevitably leads to anomalies in the subject. This knowledge of Tuniere is a subversion of the so-called rational subject myth created by Defoe. While subverting the original mythology, Tunière hopes to create a new subject myth with its own personal style through the concept of “City of the Sun.” However, his attempt to bring a lot of dissonance to the novel. However, given its philosophical height, “Friday” is still one of the paradigm rewrites of the myth of Robinson.