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《剑桥中国文学史》以1375年为界分为上、下两卷,分别由宇文所安、孙康宜主编。此书各章分别由具有不同学术与表达风格的美国汉学界著名学者写就,故与之前的中国文学史相较,此书最鲜明地体现了编撰者个人的风格和思想。这体现了文学史撰写的“后现代性”趋向,它最大化地成为编撰者思想的秀场,将编撰者从文学史的被动性写作中解放出来。从孙康宜个人的观点和思想在其所撰《剑桥中国文学史》下卷第一章“明代前中期文学(1375-1572)”中的突出呈现亦可以管窥豹,发见《剑桥中国文学史》对传统文学史的男性主体性、理性至上及普遍性的批判和超越,人的自由审美生活得到尊重与实现。
The history of Cambridge Chinese literature is divided into upper and lower volumes by the year 1375, which is edited by Yuwen Suan and Sun Kangyi respectively. The chapters of this book are written by famous scholar in American sinology with different academic and expression styles. Therefore, compared with the previous history of Chinese literature, this book embodies the most personal style and thought of the author. This reflects the trend of “post-modernity ” written by literary history. It maximizes the show field of the author’s thought and liberates the author from the passive writing of the literary history. From Sun Kangyi’s personal point of view and thought in his book “History of Chinese Literary History of Cambridge,” the first chapter “prominent middle and early Ming Dynasty Literature (1375-1572) ” in the outstanding presentation can also ponder the leopard, see “Cambridge Chinese Literature History ”respects and transcendences the masculinity, the supremacy of rationality and universality of the history of traditional literature, and respects and realizes the free and aesthetic life of man.