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清代流人程煐的昆曲剧作《龙沙剑》是黑龙江戏剧史上的第一部作品。而本文所论的《读曲偶评》,则是他附载于该剧卷首、即所谓“冠于简首,以代题辞”的一篇剧论。对这篇剧论,作者本人可谓倍加珍视:言及自己的剧作时,其态度不过仅止于“燕石虽鄙,窃自宝焉”而已;可说到这篇剧论,他却不由得寄望于曲学上的知音——即所谓“即世子期,后世公瑾”——能够“以仆之论曲者为是编一论定之”——换个现代一点的说法,也就是试图使其个人的判断上升为学术上的定论。
Qing dynasty Cheng Tuo Kunqu Opera “Long Sha Jian” is the first drama in the history of Heilongjiang works. The “Reading Quotations” mentioned in this essay is a drama that he has attached to the first volume of the show, namely the so-called “crowning on the first title”. For this drama, the author himself is twice as precious: speaking of his own play, his attitude is only limited to “Yan Yan Although despise, stolen from Bao Yan ”; can be said of this drama, but he Can not help but look forward to the companion of music - that is, the so-called “that is, the son of the world, the later Gong Jin ” - can , That is, trying to elevate his personal judgment to an academic conclusion.