艺术家用粗粗的红线缝合了两瓣切开的苹果,随后又缝合了她自己中国和瑞士的身份证,决意将自我安置在此时此地。但问题是:何为“此地”?“此时”又意味着什么?罗明君清晰地意识到,她的生活轨迹和作品都会被自己的双重身份所确定,并不可避免地在混杂的文化状态中构建自我。第一重矛盾源于她的教育背景:那是(上世纪)80年代初的中国,在当时的湖南师范大学美术学院,罗明君选择了油画的学习。向她传授这项西方绘画技艺的老师,大多是苏俄派风格的学者。随 The artist stitched two cut apples with a thick, red thread, then stitched her own Chinese and Swiss ID cards, determined to place the ego here and now. But the question is: what is “this place”? “At this moment,” what does it mean? Luo Ming-jun clearly realized that her life’s tracks and works will be determined by their dual identities and inevitably Build self in a mixed culture. The first contradiction came from her educational background: it was (the last century) China in the early 1980s, and at that time the Academy of Fine Arts of Hunan Normal University, Luo Mingjun chose to study oil painting. The teachers who taught her the western painting skills were mostly Soviet-style scholars. With