中国人的心灵,从魏晋以降就与山水融合在一起。《兰亭集序》盛赞了这种陶然之乐:“此地有崇山峻岭,茂林修竹,又有清流激湍,映带左右,引以为流觞曲水,列坐其次。”山水自此成为文人雅集的神畅之地,与此同时,这种文化基因代代相传,在古代中国社会,无论是贩夫走卒还是文人墨客往往都有思归田园的情节。陶渊明更是直截了当地说:“归去来兮!田园将芜胡不归?”在我看来,林茂的 Chinese people’s hearts, from the Wei and Jin to blend together with the landscape. “Orchid Pavilion collection” praised the Tao Ran joy: “There are mountains, Mao Lin Xiuzhu, clear turbulent excitement, reflected around the band, cited as illusory water, sit second. ” The landscape has since become a literary man At the same time, this cultural gene has been handed down from generation to generation. In ancient Chinese society, no matter whether it is a soldier or a literati, there are often plots plotting to return to the pastoral world. Tao Yuanming is even more straightforward to say: “Go back to Come! Pastoral Wuhu not return?” In my opinion, Lin Mao’s