“父亲”形象,在中国现代女性文学史上占有重要的位置。对这一形象的塑造,又演化为“恋父”、“寻父”、“审父”、“弑父”等多种主题。作为中国当代文学史最具代表性的女作家之一,张洁在三十多年的创作生涯中,其作品完整地历经了以上所举多种主题的演变,从女性文学/文化史的角度而言,这一演变所具有象征意味,值得细加解读。本文在对张洁后期代表作《无字》作出分析后认为,作者通过对“父亲”形象的双重改写,埋葬了她心目中的男性理想。张洁从“恋父”到“审父”、“弑父”的转变,也是一个理想/反理想的过程,是一个追寻/告别“现代性之父”的过程。 “Father ” image, occupies an important position in the history of modern Chinese women’s literature. The shaping of this image has evolved into many themes such as “Love Father”, “Father Searching”, “Father Reviewing”, “Father” and so on. As one of the most representative women writers in the history of Chinese contemporary literature, Zhang Jie’s works in his thirty years of creative career have completely gone through the evolution of many kinds of topics mentioned above. From the angle of the female literature / cultural history In terms of the symbolic meaning of this evolution, it is worth further reading. After analyzing the no-word Zhang Jie’s later masterpiece, this paper argues that the author buried her ideal of masculinity through double rewriting of the image of “father”. The transformation of Zhang Jie from “Love Father ” to “Father ” and “Father ” is also an ideal / anti-ideal process and a process of pursuing / bidding farewell to “father of modernity” .