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延安文艺座谈会之后,文艺为政治服务成为文艺创作的重要理论指导,以《白毛女》为代表的创作模式也进入少数民族的文艺创作与改编之中,从民间叙事歌《裴曼》到京剧、舞剧、电影《蔓萝花》的演变也特别典型,本文以此为重点,分析这种文艺创作理论背景下文学叙事中的历史逻辑,从历史的视野分析文学对历史的改造,从层累造成与历史遗忘之中探寻文学与历史的双向互动,揭示出文学叙事在历史演进与表述中的具体形态。
After the Yan’an Literature and Art Symposium, literature and art service for politics has become an important theoretical guide to literary and artistic creation. The creative mode represented by “White-haired Girl” has also entered the literary creation and adaptation of ethnic minorities. From the folk narrative song “Pei Man” to The evolution of Peking opera, dance drama and movie “Clover” is also very typical. Based on this, this article analyzes the historical logic in literary narrative under the literary and artistic creation theory, analyzes the transformation of history from the perspective of history, Tired and historical forgotten to explore the two-way interaction between literature and history, revealing the specific form of the narrative in the historical evolution and presentation.