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保尔·策兰于1959年出版的诗集《语言栅栏》是诗人语言晦涩与诗文碎裂的开始,显现了诗人痛苦的生存状态和向往死亡的意念,标志着诗人的创作达到了一个新的高峰。其中的诗篇《声音》具有提纲挈领的地位,破解此诗中的隐喻、密码,重建诗文整体关联性,有利于理解诗集里的各种声音。纵然诠释此诗的学者如云,却鲜有以诗人恋母和死亡的恒常主题一以贯之者。诗学的个体与一般的辩证关系也在《声音》一诗的理解中得到体现:一方面,诗学文本变异了希腊神话,重构了圣经典故,凝炼了历史经验,从而抵达个人情感的深处;另一方面,儿子对母亲思恋的个体情状,通过神话和宗教的互文关系以及历史维度又超越了思念的个体性,进入到人类思念痛苦之普遍性。本文试图通过诗文碎裂性结构的分析,再现完整图像,解读隐秘情感,聆听策兰在德意志语言中发出的帛裂声音。
The poem “Linguistic Fence” published by Paul Celent in 1959 is the beginning of the obscure poet’s language and the fragmentation of poetry. It shows the poet’s painful state of existence and the longing for death, marking a new achievement for poet’s creation peak. One of the poems “sound” has the status of an outline collar, to break the metaphors, passwords, rebuild the overall relevance of poetry, is conducive to understanding the various voices in poetry. Even scholars who interpret this poet are rarely covered by the usual themes of poet Oedipus and death. The individual and general dialectical relationship of poetics is also reflected in the comprehension of the poem “Sound”: on the one hand, the poetic text has changed the Greek mythology, reconstructed the biblical allusions, condensed the historical experience and thus reached the personal feelings Depth; on the other hand, the son’s individual affection for mother’s love goes beyond the individuality of thoughts through the intertextual relationship between myth and religion as well as the historical dimension, into the universality of human misery. This article attempts to analyze the fragmentary structure of poetry, reproduce the complete image, interpret the secret emotion, and listen to Cezanne’s speech in the German language.