论文部分内容阅读
“否定”是一种颠覆常规的方法,根本目的是激发人们的独立思考和自我意识,进而审视当下的生存状态。阿多诺主张文学应采用“否定”的语言和形式反抗外在的异化和媚俗。现代派文学是他赞赏并讨论最多的对象。后现代主义文学延续了反异化这一脉络并采取了更激进的“否定”方式。从叙述者的位置和语言游戏两个角度探讨阿多诺的文学思想,不仅可以发现后现代主义文学与其一脉相承的轨迹,而且能挖掘出这种传承背后深层的文化原因。
“Negation ” is a kind of subversion routine, the fundamental purpose is to stimulate people’s independent thinking and self-awareness, and then look at the current state of existence. Adorno argues that literature should adopt the language and form of “negation” to resist external alienation and kitsch. Modern literature is what he praises and discusses most. Postmodernist literature continues the context of anti-alienation and adopts a more radical “negation” approach. Studying Adorno’s literary thoughts from narrator’s position and language game can not only find the trace of the same origin of postmodernism literature, but also excavate the deep cultural reasons behind the inheritance.