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身体,作为各种意识与观念活动中最直接的象征和对象之一,在现代工业社会或当代消费文化的演变中,不断被重新定义、书写与规训。在与之相应或相对的艺术实践中,摄影术及影像叙事的出现与演变,使得不同社会情境中将关于身体的私人或公共话语达到前所未有的具象化,世界的“再现”逐渐成为近乎自动的机制;与此同时,关于自我和他人的图像被“真实”地推至我们眼前:我从来未曾如此贴近地观察我自身,而身体也不再是脆弱的、临时的事物,身体的感知亦不再是艺术家灵光式的抽象时刻,它被影像转化成为独立于肉身之外的物质,某种可
As one of the most direct symbols and objects in all kinds of consciousness and concept activities, the body is constantly being redefined, written and regulated in the evolution of modern industrial society or contemporary consumer culture. In corresponding or opposite artistic practice, the appearance and evolution of photography and image narration make the private or public discourse about the body reach an unprecedented visualization in different social situations. The world ’s “reproduction ” gradually becomes almost Automatic mechanism; in the meantime, images about ourselves and others are “truly” pushed to our immediate eyes: I have never looked at myself so close, and the body is no longer fragile, temporary, physical Is no longer the artist’s luminescent abstract moment, it is transformed into an image independent of the flesh outside the material, some kind of