论文部分内容阅读
《歌代啸》是明杂剧中的一部奇作,其结构有独特性。在整体表层上,它是点线式的串珠结构,以楔子为总引,四出剧情节相对独立又互相勾连,彼此形成开放式的整体;同时,《歌代啸》的剧情和人物关系上存在反推式的行为模式——初时由A采取行动向B施加行为或压力,后来B不但阻止了行为的推进,保护住了自身的利益,而且逆着A原来的用力轨迹,对A施加进一步的反扑式行为或压力,得到了主动权和优势地位。反推结构推动情节的发展、新人物的介入和转场的推进,反映了人与人之间的矛盾冲突和张力关系,从结构上回应“世道原称颠倒,人情自古刁钻”的主题。
“Song of Generation” is an epic drama in the Ming Dynasty drama. Its structure is unique. On the overall surface, it is dotted beaded structure, with wedges as the total lead, four plot episodes relatively independent but also hooked up with each other to form an open whole; the same time, the song and shout of the plot and the relationship between characters There is a reverse push mode of behavior - the first act by the A to act or pressure to B, and later not only prevented the advancement of B, protect their own interests, but against the original hard track A, to A further The counterattack behavior or pressure, has been the initiative and dominance. The structure of the anti-push impels the development of the plot, the intervention of the new person and the promotion of the transition. It reflects the contradiction and tension between people and the structural response to the theme of " .