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20世纪上半叶是中国历史产生巨大变化的时期,在当时的历史背景下,我国艺术歌曲创作也进入了新的历史时期。而这一时期,作为艺术歌曲重要组成部分——钢琴伴奏的创作也有别于前人对“伴奏”的理解:为旋律被动地配上和声。这一时期的作曲家充分认识到了伴奏的重要作用,他们创作的伴奏是从作品的内容、作品的整体结构和风格特征出发,经过精心构思和设计而成,它和音乐作品的旋律有机地结合在一起,以完美表现作品内涵,塑造音乐形象,表达作曲家的情感。从整体上看,我国早期艺术歌曲的钢琴伴奏其表现内容大致可分为以下几种:1、表现、烘托作品意境这类作品中,伴奏对作品的意境起着重要的烘托作用并且是不可代替的,
The first half of the 20th century was a period of great changes in Chinese history. Under the historical background of that time, the creation of artistic songs in our country also entered a new historical period. During this period, the creation of piano accompaniment, as an important part of art songs, is also different from the previous understanding of “accompaniment ”: the harmony of melody is passively matched. The composers of this period fully recognized the important role of accompaniment. The accompaniment they created was composed of the content of the work, the overall structure and style characteristics of the work, elaborately designed and designed, and organically combined with the melody of the musical works Together, to perfect the connotation of the work, shaping the music image, expressing the composer’s emotions. As a whole, the accompaniment of accompaniment plays an important role in the artistic conception of works and is irreplaceable in the performance of the piano accompaniment of early Chinese art songs. of,