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文章分析了我国近些年来不断涌现的各类管乐比赛活动及演奏中的真实性问题,包括比赛活动的性质、目的,并对管乐比赛活动所催生出的一系列“音乐诠释”的真实性问题进行了积极的解读。文章从审美的角度,对管乐作为一种表演艺术进行了分析,指出很多真实性的表演并不是固定的模式,而是包含了演奏者的独特创造性,这使管乐作品成为作曲家、表演者及听众共同创造的艺术复合体。
This article analyzes the authenticity of all kinds of wind music competitions and performances in our country in recent years, including the nature and purpose of the competitions and a series of “music interpretations” The authenticity of the issue carried out a positive interpretation. From an aesthetic point of view, the article analyzes the music as a performance art and points out that many authentic performances are not a fixed pattern, but include the unique creativity of the performers, making the music works a composer, a performance And the audience to create an art complex.