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清朝随着科举制度的恢复,书法在考核中成为重要标准之一,许多文人纷纷仿效董、赵字体。乾隆年间,随着弘历帝对赵孟頫书法的喜爱,朝野士人中帖学书风由尚董转为崇赵,圆腴丰润的赵体取代了纤弱疏秀的董字。康、雍、乾时期,遂形成了“馆阁体”书法,追求“乌、方、光”分行布白,纵横合乎阡陌之经,引笔著墨,浓淡灿乎珠玉之彩。缩率更、鲁公于分厘之间,运龙跳、虎卧于格式之内。精能工巧,遏越前载。大小一律,
With the restoration of the imperial examination system in the Qing Dynasty, calligraphy became one of the important standards in the examination. Many writers have followed the example of Dong and Zhao fonts. During the reign of Emperor Qianlong, with the love of the Hongli Emperor for Zhao Mengfu’s calligraphy, the style of the calligraphy in both courtesans and civilians was changed from Shang Dong to Chong Zhao. Kang, Yong, dry period, then formed “Pavilion House ” calligraphy, the pursuit of “Ukraine, square, light ” branch cloth white, vertical and horizontal line with the criss-cross the road, cited the ink, shades brilliant Pearl jade color. Shrink rate is more, Lugong in points between, Yun Long jump, lying in the form of tiger. Fine skills clever, stop the pre-load. Size,