一出戏的上演是一个喜忧参半的复杂过程。它是一个寻找的过程,一切变化运动不止。演员们、舞美、作曲家提出自己的意见,补充、修正剧作者、导演的构思。他们的建议、意见、方案往往有助于我们找到最真实、最准确的解决方法。在导演的意识里,是什么妨碍了或者帮助了关于一出戏的未来形象形成呢?从构思的最初出现到它的最终实现的道路——这是一个困难的、还未得到充分研究的过程;他的思维是如何发展的?我在这里不是谈论排练过程本身, The staging of a play is a mixed process. It is a search process, all changes more than movement. Actors, dance artists, composers put forward their own opinions, supplement, amend the dramatist, director of the idea. Their suggestions, opinions, programs often help us to find the most realistic and accurate solution. In the director’s sense, what prevented or helped to shape the future of a play? From the earliest emergence of the conception to its final realization - a difficult and under-researched process ; How does his thinking develop? I am not here to talk about the rehearsal process itself,