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“我为山川代言”是中国山水画论中体现人与自然关系的一个典型命题,虽立论于中国艺术美学,但在生态美学视野中,隐含着一系列体现人与自然关系的生态美学与哲学话语,分别对应于生态美学研究的三个层面:人为自然代“言”的本质内容(“生生本体论”)、代“言”的方式(“生命整体性认识论”)、代“言”的价值(“生生价值观”)。从生态智慧角度阐释“我为山川代言”命题,可为生态美学提供一套中国独特的哲学与美学话语,从而在某种程度上孕育构建生态艺术美学的可能性。
“I endorse mountains and rivers ” is a typical proposition of the relationship between man and nature in Chinese landscape painting theory. Although it is discussed in Chinese art aesthetics, in the field of ecological aesthetics, there are a series of ecological aesthetics embodying the relationship between man and nature And philosophical discourse respectively correspond to the three aspects of ecological aesthetics research: man-made natural generation “essence of language ” ( “life ontology ”), generation “language Epistemology ”), the value of generation “ language ”(“ life and value ”). From the perspective of ecological wisdom, “I am the endorsement of mountains and rivers” is a proposition that provides a set of unique philosophical and aesthetic discourses for ecological aesthetics in China to some extent, so as to conceive the possibility of building aesthetics of ecological art.