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中国城乡和地域发展的不平衡性,使得乡土中国的地理版图上存在着前现代、现代和后现代三种文明形态。在此文化语境下,上世纪80年代以来乡村电影的“乡土中国形象”呈现为三副面孔:对农耕文明和田园牧歌的绿色生态的向往,对城市文明热烈的红色诉求,对乡村文化黄色桎梏的批判。这不无矛盾的三副面孔显示了置身全球化、现代性语境里的中国的历史面貌,也体现了现代化进程中社会公众价值体系的犹豫不决。
The unbalanced development of China’s urban and rural areas and the geographical development make the three kinds of pre-modern, modern and post-modern forms of civilization present on the geographical map of the territory of China. In this cultural context, the “local Chinese image” of rural cinema since the 1980s presents three faces: a yearning for the green ecology of farming civilization and idyllic pastoral areas, a warm red appeal to urban civilization, Criticism of cultural yellow grudges. This indisputable three faces shows the history of China in a context of globalization and modernity and also embodies the hesitation of the social value system in the process of modernization.