形式主义最早起源于俄国,作为一个美学及文学理论学派别,形式主义致力于研究文学材料与其潜能实现之间的关系。本文主要通过运用形式主义的蒙太奇手法,从叙事模式、叙事渠道、叙事主题三方面对《上帝也疯狂》进行评论。 Formalism first originated in Russia. As a school of aesthetics and literary theory, formalism is devoted to studying the relationship between literary material and its potential realization. In this paper, I mainly comment on “God is also crazy” from three aspects: narrative mode, narrative channel and narrative theme through the use of the montage of formalism.