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上帝爱鱼,于是造了江河湖海。人类爱鱼,于是造了各种渔具。在古老的晕着夕阳余光的文物上,深深浅浅的是国人的字迹。他们喜爱文物的方式,是将其牢牢抓在手心不放,将岁月的见证揽在怀中。(1)殊不知这也是伤害,更是对文物创造者的亵渎。而今吾论,刻字所留下的印记遗留固然使我们愤怒,但愤怒的另一个方向,是同样被遗留下的国人习惯的弊端。(2)从李白望壁兴叹,至苏轼与友共偕、执笔题诗,几千载春秋,似不乏这般即兴而作的人物。且不论古今文采之对比,只看如今时代,便知历史只
God loves fish, so made rivers and lakes. Human love fish, so made a variety of fishing gear. In the ancient dizzy sunset light artifacts, deep shallow shallow is the people’s handwriting. The way they like relics is to hold them firmly in the palm of their hand and take the testimony of time in their arms. (1) As everyone knows, this is also hurt, but also the profane creator of the heritage. However, the imprint left behind by today’s lettering and engraving keeps us angry, but the other direction of anger is the abuse of the same legacy of Chinese people. (2) From Li Bai look disappointed, to Su Shi and friends, write poem, thousands of years, seems to have such impromptu characters. Regardless of the contrast between ancient and modern literature and art, just look at the present era, we know only history