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中国和埃及墓室壁画的系统比较应当得到特别关注。艺术发展层面上,中国墓室壁画多彩绘壁画而追求叙事性,埃及墓室壁画多浮雕壁画而追求仪式性。宗教信仰层面上,中国墓室壁画中因为墓主人需要神灵帮助而存在人神并列的两个图像体系,埃及墓室壁画中因为法老可以代表神灵而存在人神合一的一个图像体系。同时,中国的葬玉要求墓主人尸体完整保存,埃及的木乃伊要求墓主人尸体部分破坏后获得新的完整保存,所以中国墓室壁画是连续性结构,造成此岸与彼岸模糊,而埃及墓室壁画是非连续性结构,此岸与彼岸清晰。此外,铭文图像表明中国和埃及的墓主人可能存在着进入与走出墓室的两个不同重生方向。汉画繁荣层面上,汉代跨阶层结构和叙事结构的基本定型促进了墓室壁画的迅速繁荣,同时汉代墓室壁画的儒教属性对中国宗教发展有着明确贡献。
The system of tomb murals in China and Egypt should receive special attention. Art development, the tomb murals in China painted colorful murals and the pursuit of narrative, Egyptian tomb murals and more embossed murals and the pursuit of ritual. At the religious belief level, there are two image systems in which the gods and gods are tied together in the tomb murals in China because the tomb owners need the help of the gods. There is an image system of Egyptian gods and gods in Egyptian tomb murals because Pharaoh can represent the gods. At the same time, the burial jade in China required the body of the tomb owner to be preserved in its entirety, while the Egyptian mummies required new and complete preservation of the body of the tomb owner. Therefore, the tomb murals in China were of a continuous structure, causing the shore and the other side to be blurred while the Egyptian tomb murals were discontinuous Sexual structure, this shore and the other clear. In addition, the inscriptions show that there may be two different rebirth directions for the grave owners in China and Egypt to enter and exit the tomb. On the prosperous stage of Han painting, the basic stereotypes of the inter-stratification structure and narrative structure in the Han Dynasty promoted the rapid prosperity of tomb murals. Meanwhile, the Confucianist attributes of the mural paintings in the Han Dynasty made a clear contribution to the development of Chinese religion.