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在中国天主教历史上,第一次出现记载“管风琴”史料的是在《元史》卷八十七:“兴隆笙,制以南木,形如夹屏,上锐而面平,缕金雕镂枇杷,宝相,孔雀,竹木,云气,两旁立花板,居背三之一。中为虚柜,如笙之匏。上竖紫竹管九十,管端实以木莲苞。柜外出小撅十五,上竖木,云气,两旁立花板,居背三之一。中为虚柜,如笙之匏。上竖紫竹管九十,管端实以木莲苞。柜外出小撅十五,上竖,系风囊于风口,囊面如琵琶,朱漆染花,有柄,一人按小管,一人鼓风囊,则簧自随调而鸣。”所
In the history of Chinese Catholicism, the first recorded account of “organ” historical materials is in the “Yuan Shi” volume eighty-seven: "Xinglong Sheng, the system of South Wood, shaped like a folder screen, sharp and smooth, strands Gold engraved Lou loquat, Po Xiang, peacock, bamboo, cloud of gas, both sides of the flower board, home to one of the back 3. In the virtual cabinet, such as the Sheng 匏. Vertical vertical Zizhu 90, pipe ends solid wooden lotus. Cabinet out of small 撅 fifteen, vertical wood, cloud of gas, both sides of the flower board, home to one of the back three. In the virtual counters, such as the Sheng 匏. Vertical vertical Zizhu ninety, the tube ends with wooden lotus. Small 撅 fifteen, on the vertical Department of the sac in the tuyere, capsule surface, such as pipa, Zhu paint dyed flowers, a handle, one person according to tubules, one person blast bellows, then the spring from the tone with the tune.