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文化重构作为文化再生产过程中不可缺少的一种表现形式,是文化发展的其中一种内在机制。我国是少数民族较为集中的国家,不同民族的音乐文化都有其不同的表现形式,在长期的历史发展中,这些不同民族的音乐文化出现了交流和融合的文化重构现象。在文化重构的过程中,少数民族音乐文化获得了更加多元化的发展,并在不同历史时期得到了活态传承与发展。本文解释了文化重构的内涵,并以我国土族音乐文化以及壮族刘三姐歌谣为例,阐述了我国少数民族传统音乐文化重构的现象,并进一步阐释了少数民族传统音乐文化重构的必然性和意义。
As an indispensable manifestation of cultural reproduction, cultural reconstruction is one of the intrinsic mechanisms of cultural development. China is a country where ethnic minorities are more concentrated. Musical cultures of different nationalities have different manifestations. In the long-term historical development, the musical cultures of these different ethnic groups have witnessed the exchange and fusion of cultural reconstruction. In the process of cultural reconstruction, ethnic minority music culture has been more diversified development, and in different historical periods has been living heritage and development. This paper explains the connotation of cultural reconstruction, and takes the folk music culture of our country and the songs of the Third Sister Liu for example, elaborates the reconstruction of the traditional music culture of ethnic minorities in our country and further explains the inevitability and significance of the reconstruction of the traditional music culture of ethnic minorities .