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对于从事艺术创作的人来说,艺术语言永远都会是一个命题。没有自己清晰、明确的艺术语言,就无法准确传达表现意图,形成清晰的艺术表现。而没有个人独特的艺术语言,就难以产生个性化的艺术。艺术语言旬呈现着着和品的风格和面貌,也在表述作者内在的思想。思想就在语言之中,就像一张纸的正反两面,不能割裂。而作者自我精神的内化与伸展、也会不断体现在艺术语言的深入与展开之中。艺术语言是作者的表现意图和思想的裁体。本文通过画家常与评论家之间的对话,来探讨画家自我精神、个人语言、艺术创作之间的关系。
For those who engage in artistic creation, the language of art will always be a proposition. Without its own clear and definite artistic language, it is impossible to accurately convey the expressive intention and form a clear artistic expression. Without a unique personal art language, it is difficult to produce personalized art. Artistic language ten days with the style and appearance of the goods, but also the author’s inner thoughts. Thought is in language, like the positive and negative of a piece of paper, and can not be divided. The internalization and extension of the author’s self-spirit will continue to be reflected in the depth and development of the art language. Art language is the author’s performance intention and the body of the idea. This article explores the relationship between painter’s self-esteem, personal language and artistic creation through the dialogue between the artist and the critic.