80年代中期,我们剧院请来一位德国现代派导演,给我们排一个现代戏,叫《沃依柴可》。演员有我,也有小濮,我和他扮演一对情侣。戏里有一段情节,需要我和他接吻。那是我惟一次在戏里与其他男人接吻,亲亲脸蛋倒是常有。吻过之后,我对他多了特别的感觉,是信任还是亲近,我说不清楚。从此我看他的眼光与看别人不同。他的父亲苏民是我的老师,有点爱屋及乌也说不定。 In the mid-1980s, we invited a German modernist theater director, give us a modern drama, called “Voices Chai Ke.” I have actors, there are Pu, I play him and a couple. There is a plot in the play that needs me to kiss him. That’s the only time that I’ve been kissing other men in the play. After kissing, I have a special feeling for him, trust or close, I can not tell. Since then I think his vision is different from watching others. His father Sumin is my teacher, a little love house and Ukraine may also be.