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日本的近代国文学发端于国学,始终是人文学科中一个重要领域,也是研究日本文学的权威学科。然而在近代西方文化的介入和影响下,国文学界逐渐对传统的近代国文学进行反思和自省,开始要求以西方现代学问体系为规范来对日本文学进行科学系统的研究。兴起于上个世纪30年代的文艺学思想正是作为对传统的近代国文学的一种反抗而应运而生的产物,尤其是冈崎义惠所大力提倡的“日本文艺学”更是在当时的国文学界激起了强烈的反响。
Japan’s modern Chinese literature originated in Sinology and has always been an important field in the humanities and also the authoritative discipline for studying Japanese literature. However, with the intervention and influence of modern Western culture, Chinese literary circles gradually reflect on and refute the traditional modern Chinese literature and begin to demand that the modern western learning system regulate the Japanese literature in a scientific and systematic way. The thought of literature and art that emerged in the 1930s is a product of the emergence of a resistance to the traditional modern Chinese literature. In particular, Japanese literature and art advocated by Yasuhiro Okazaki The literary circle at that time provoked a strong response.