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在中国古代绘画史上,文人画在一定意义上已经作为一个相对独立的概念与其他的绘画种类区分来研究。传统意义上的文人画又称士人画,一般认为其产生和发展可追溯至魏晋,兴起于宋代,以苏轼为表率的文人画家渐渐取代了相对意义上的画工画,成为绘画史上的主流。文人画发展壮大后,关于文人画的创作者——文人画家也倍受关注,而文人画家作为一个特殊的群体,他们的教育培养模式也相应的值得我们关注,这对于我们更好的研究理解文人画内涵有着相当积极的作用。
In the history of ancient Chinese painting, literati painting has, to a certain extent, been studied as a relatively independent concept from other types of painting. The literati painting in the traditional sense, also known as the drawing of scholars, is generally believed that its emergence and development can be traced back to the Wei and Jin Dynasties, and rose in the Song Dynasty. The literati painters with the preponderance of Su Shi gradually replaced the paintings in the relative sense and became the mainstream in the history of painting . After the development of the literati painting, the literati painters, the creators of literati paintings, also attract much attention. As a special group, the literati painters also deserve our attention because of their mode of education and training, which is better for us to understand. Literati painting connotation has a very positive role.