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与二十世纪中国戏剧对现代性的追求相对应,民族化始终成为中国戏剧现代转型中挥之不去的历史缠绕。在话剧与戏曲的关系上,如果说,现代性所提供的是一种价值向度,话剧与戏曲正是在对现代性的追求中获得各自的价值定位,那么,民族传统所提供的则是一种文化立场。话剧与戏曲在其中所面临的就是如何确立自我的选择,两者的艺术个性的差异也由此而得以呈现。因而,民族化也就是中国现代戏剧在对于民族传统认同的基础上获取自己特定品
Corresponding to the pursuit of modernity in Chinese drama in the 20th century, nationalization has always been a lingering historical twist in the modern transformation of Chinese drama. In terms of the relationship between drama and drama, if modernity provides a value orientation, drama and drama precisely gain their own value orientation in the quest for modernity, then the national tradition provides A cultural position. In the drama and the opera, what they are facing is how to establish their own choices, and the differences between the two are also presented. Therefore, nationalization is also the Chinese modern drama to acquire their own specific products on the basis of national tradition identity