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古人取唐诗命题作画,曾流传着“深山藏古寺”的佳话,颇为发人深思。画家在反映“深山藏古寺”这一题旨时,没有走前辈群贤的老路,而以独特的表达技巧,为人盛赞不已:画面上没有出现古寺,而是在通往深山幽谷中,画了一位快要消失在密林深处的小和尚,他肩挑了一担水。画中之意已使人一目了然矣!就画而论,同样的题材、同样的主题,在不同作者的“操作”下,可以有不同的表现。写非事件性新闻,同绘画一样,是否也需要讲点“工艺学”,也有个对题材如何“操作”的问题呢?我们切不可一讲写非事件性新闻,就只能“自古华山一条路”——“论题+事例+
The ancients take the Tang poet proposition painting, has spread the story of “Tibetan temple deep”, quite thought-provoking. In reflecting the theme of “Tibetan temple in the mountains”, the painter did not follow the path of his predecessors. However, he praised the artist for his unique expression skills: There was no ancient temple on the screen, The little monk is about to disappear in the depths of the Jungle, and he shoulders a shoulder. The meaning of the painting has made people at a glance! On the painting, the same theme, the same theme, in different authors “operation”, can have different manifestations. To write non-incidental news, like painting, whether it is necessary to talk about “technology” or not, and how to “operate” the subject matter? We must not write about non-incidental news, Road “-” topic + case +