在新时期,媒介中的湘西土匪处于被异化的状态,其角色是单一的、刻板化的扁平人物,随着社会文化形态的多元化,媒介中的湘西土匪形象逐步突破单一的刻板的叙述模式,湘西土匪熔铸了真、善、美、丑等多重形象,成为鲜活的圆形人物。随着时代的变迁编导们不断的改变着书写与叙事策略,挖掘着影视文本中所蕴藏的价值。 In the new era, the bandits in the media in western Hunan are in a state of being alienated. Their role is to be single and stereotyped and flat characters. With the diversification of social and cultural forms, the bandit image in the media gradually breaks through a single stereotyped narrative model , Xiangxi bandit casting cast multiple images of true, good, beautiful, ugly and become vivid circular figures. With the change of time, directors constantly change the writing and narrating strategies, digging the value hidden in the video of the film and television.