作文不是简单的文字拼贴,必须要主情;而情就像文字起飞的羽翅,能够直接抵达心灵的最佳高度。因此,情的演绎就在作文过程中占有了绝对的优势。任何时候,在任何作品中,作家作文都必须紧扣一个“情”字,这是写作从来也不曾背离的核心。作品离开了情,就无异于鱼儿离开了水,终将面临失去存活机会的危险,而这恰恰是一个作家,一部作品所从不愿遭遇的局面。情感地位如此尊崇,就自然惹得很多人去追求,花团锦簇者有之,鬼哭狼嚎者有之,朴素大方者有之,等等,各种表情应有尽有,但是哪一个的追求才是最真实 Composition is not a simple text collage, you must have the sentiment; and love is like a text take off the wings, can directly reach the best height of the soul. Therefore, the interpretation of love in the composition of the process has an absolute advantage. At any time, in any work, writer’s writing must be closely linked with a “love” word, which is the core of writing never deviated from it. The work left the love, it is tantamount to the fish left the water, will eventually face the danger of losing the chance of survival, and this is precisely a writer, a work from the unwilling situation. Emotionally status so respected, it naturally provoked a lot of people to pursue, there are flowers, ghosts, howling, there are all kinds of expressions, but which of the pursuit is the most real