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绘画基于人类的视觉机能。“观看完全是一种强行给现实赋予形状和意义的主观性行为。事实上,没有一个从事艺术的人能够否认,个人和文化是按照它们自己的图式来塑造世界的”。 [1]观察方法的差异必然导致绘画形式的差别。而构成绘画中风格差异的根源也可归结为图式观念的不同,图式影响艺术家的视知觉心理, 视知觉则是画家观察感知外部世界、进而结构画面的通道。本文就从这一点来展开论述。
Painting is based on human visual functions. “Watching is entirely a subjective act of forcibly giving shape and meaning to reality, in fact no one in art can deny that individuals and cultures shape the world according to their own schemata.” [1] Differences in observation methods inevitably lead to differences in the form of painting. However, the root causes of the differences in styles of painting can also be attributed to differences in schemata. The schema affects the visual perception of the artist, and visual perception is the channel through which the artist observes and perceives the external world and thus the structure of the picture. This article starts from this point to discuss.