台湾新文学理论批评受“五四”影响而诞生，日据时代深受摧残，光复后重新与祖国接轨。50年代，官方文艺理论与文艺政策相结合，而作为“战斗文艺”的反叛，现代主义是到蓬勃发展。70年代，带有左翼色彩的乡土文学论取西化文论而代之，大力强调文学的意识形态性、社会批判功能和民族性。80年代后，除了“台湾意识”和“中国意识”的分歧外，随着“新批评”的衰落和后现代主义的兴起，台湾文论界进入“众声喧哗”的时代。 Taiwan’s theory of new literary theory was born under the influence of the May 4th Movement, and the era of Japanese occupation was devastated. After the recovery, Taiwan reconnected with the motherland. In the 1950s, the official literary theory was integrated with the literary and art policy. As a rebel against “fighting literature and art,” modernism is booming. In the 1970s, the left-wing native literature took the Westernized literary theory instead, emphasizing the literary ideology, social critical function and nationality. After the 1980s, apart from the differences between “Taiwan’s consciousness” and “China’s awareness,” Taiwan literary circles entered an era of “hubbub” with the decline of “new criticism” and the rise of post-modernism.