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2006年始“无极”和“馒头”联手演绎了娱乐时代的一次“亮剑”。在90年代以来文化转型的背景下陈凯歌远离了对大众生存境遇的人文关怀而走向对体制文化妥协的路径,丧失了原有的批判意义。胡戈对《无极》进行反讽式消解,迎合了被经典体制文化遮蔽的处于边缘的“他者”的话语,带来了对体制文化和精英文化的解构,也极易陷进媒体与大众合谋的泥潭中而瓦解自身的革命性意义。
2006 beginning “Promise” and “bread” jointly interpretation of a “bright sword” entertainment era. In the context of cultural transformation since the 1990s, Chen Kaige has been away from the humane concern for the living conditions of the public and has taken the path of compromise with institutional culture and has lost its original critical significance. Hugo ironically resolved the “Promise” to cater to the marginalized “Other” discourse that was obscured by the classical institutional culture, which brought about the deconstruction of the system culture and the elite culture and was also easily trapped in the collusion between the media and the public Of the quagmire and disintegrate their revolutionary significance.