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中国的戏曲,到了宋金时期已经有了脉络较为清晰的雏形。这时流行于北方的杂剧和主要流行于浙东沿海地区的南戏,程式已经相当完备,在民间的演出也非常盛行,戏曲中出现了较为完整的故事,有了相当强的故事性。但是把戏曲表演中的某一个场面绘制在瓷器上,还是元代的事,这可能与宋代瓷器并不追求用绘画来进行装饰有关。宋代的五大名窑汝、定、官、哥、均,都是以瓷胎的细腻匀净,釉色的明亮雅致为自己的最高追求,如果说装饰,着力点在于釉水,而不在于绘画。这可能是宋代人生
Chinese opera, to the Song and Jin Dynasties already have a more clear embryonic form. This time popular in the north of the drama and the main popular in eastern Zhejiang coastal areas of South Opera, the program has been quite complete, popular performances in the folk is also very popular, drama appeared in a more complete story, with a very strong story. However, drawing a certain scene in the opera performance on porcelain or the Yuan Dynasty may have something to do with the fact that the porcelain of the Song Dynasty did not pursue the use of painting for decoration. The five famous kilns in the Song Dynasty, such as Ru, Ding, Guan, Ge and Jun, are all based on the exquisiteness and purity of the porcelain tires. Their bright and elegant glaze is their highest pursuit. If the decorations are decorated, the emphasis is on glazed water instead of painting. This may be Song life