本文以作品中的痴傻型人物为立足点,对《喧哗与骚动》与《爸爸爸》展开平行研究。第一部分主要对痴傻人物具体的声音、无实意的语言进行分析与比较,探析无意义的“喧哗”背后那有意义的作品价值观;第二部分则从难以“诉说”的痛苦中分析异质文化所共有的社会历史现象——“常态”社会对所谓“非常态”人群的排斥与压制。由以上两点对中西这两部文学作品略作相异相同之比较。 This article takes the silly characters in the works as the starting point, and conducts the parallel research on The Sound and the Fury and Dad and Dad. The first part mainly analyzes and compares the specific voices and unrealistic language of silly characters, and analyzes the meaningful works values ​​behind the meaningless “Noisy ”. The second part analyzes the pain of “difficult to tell” In analyzing the social and historical phenomena common to heterogeneous cultures - the exclusion and repression of the so-called “extraordinary” population by the “normal” society. From the above two points on the two literary works of China and the West are slightly different for the same comparison.