比喻这种修辞在文学作品中较普遍,它把无形的、抽象的东西比作用眼睛看得见的实实在在的东西,我们通常称这种比喻为化无形为有形,化抽象为具体。在古典文学作品中,它通常表现在以下三方面。一、赋愁以形愁本是郁结于胸中的块垒,别人无从得知。自从唐后主李煜的“问君能有几多愁,恰似一江春水向东流”的千古名句问世后,这种化无形为有形的景物写法越来越受到诗人们的关注与效法。在李 The metaphor of rhetoric is more common in literary works. It refers to the intangible and abstract things than the actual things that can be seen through the eyes. We often call this metaphor as intangible as tangible and abstract as concrete. In classical literature, it usually appears in the following three aspects. One, given to the shape of this book is the stagnation of the chest in the chest, no one else knows. Since the Tang Dynasty, Lord Li Li’s “Qian Jun can have a lot of embarrassment, just like a river flowing eastwards,” after the eternity of the famous names came out, this kind of intangible tangible scene writing has received more and more attention from the poets. . Li