1986年,我在《美术研究》上读到一篇周易与绘画的文章,那时,正值“美术新思潮”波涌浪翻之时,本来,新思潮的出现是不足为怪,甚至是可喜的事情,可是,百年来,我们总是习惯于一种思维模式——呼唤“新美术”时,总要糟蹋一番“旧绘画”,似乎只有你死了,我才能活。对此,我十分不解:何以“前卫”理论家在思想方法上如此后滞！许多新说法,很 In 1986, when I read an article about the Book of Changes and painting in “Art Research,” at that time, at a time when the wave of “new trends of art” was overwhelming, the emergence of a new trend of thought was not surprising. However, for centuries, we are always accustomed to a mode of thinking - when calling for “new art,” we always have to waste some “old paintings.” It seems that only you are dead can I live. In this regard, I am very puzzled: Why “avant-garde” theorists in the way of thinking so late! Many new ideas, very