“当代传奇”一直在寻找一种叙事的方法,从《欲望城国》 (1986)开始,他们采取的策略是挪借了京剧的表演程序作为叙述文本的基础,因此当他们的剧作被声称改编自西方经典时,意味的却是演出范式的转移问题。这里我们就不能不问: 两方经典提供的只是一个故事或某种戏剧性? Contemporary Legends has been searching for a way of narrating, starting with Cities of Desire (1986), whose tactic was to borrow Peking Opera performance procedures as the basis for narrative text, so that when their plays were claimed to be adapted Since the Western classic, it means the transfer of the performance paradigm. Here we can not help but ask: both classic is only a story or some kind of drama?